4/11/12

Ampersand


It’s like this sign I saw, driving
across some dirt country 
newly deforested barely on the map 
two-lane road:  “Don’t Drive 
Into the Smoke.”  I slowed, 
backed-up, read the sign again.  
Not a halo in the sky, 
just the remnants of tiaras 
long lost in the toy chest; 
I was not necessarily looking 
for the smoke I do not drive 
into by order of the sign, 
but it seemed so declarative, 
so exact:  there was smoke, 
I was driving, 
and these two
were not to mix.  For boot,
read trunk. My shoes off 
putting some soul in the moment, 
and briefly I explored the roadside 
where I’d stopped:  lots of neutrons, 
electrons, and protons everywhere 
around, unfragmented for my sake 
into shards of asphalt, rubber, plastic, 
glass, grit, awaiting my leaving 
so they could again fragment 
back into the unseeable, cavorting 
themselves, silly with ice-cream-flavored 
rhapsodies and light, relentless airs. 

&

I unattached the sign from its post, 
guessing I hope 
to be not the cause
of a catastrophe some point 
after I have passed, and placed 
it in the boot of the car. 
I have retraced this action, 
determining its worth or simply 
relishing its mirth.  I am not sure 
that I would hear of a tragedy 
involving smoke and driving, especially
on that road in that part of the backcountry, 
but I trust that I will feel 
a stabbing jot of nerve 
should the possibly inevitable happen, 
that I will simply acquiesce 
to a strategy of blind homage, 
assured that my reasoning is correct. 
A conviction, then, that I have saved 
fellow travelers from the same fate,
tiaras long lost in the toy chest;
without fail now as I drive, 
regardless the where, the why, 
the time, the fate, the unseen 
halos, the prancing protons, 
I while away the tires 
searching for the smoke, 
the certainty that there is smoke 
designed specifically for me, 
that my fait accompli is to drive into it, 
halos, as hard and fast as I can, 
without braking 
for thought or projected hindsights.
It has never once crossed my mind 
that the the is unnecessary.

© 2012 – Mark A. Douglas – All Rights Reserved

4/8/12

Auden's Arm


The Queen’s a bint, he said, turns
Out he di’n’t dance with that faggot
At the ball after all but told this clanger:
-       the Don and the Naff walk into a bar…, but
There’re no humours in sassafras tea
Or the trajectory of a falling star.

What if he’d said, instead, that it was the love
Sleeping, that the head remained steadfast,
True, that the arm turned up not faithless but
Human?  Maybe
‘Lay your sleeping love, my head,
Faithless on my human arm’?
Which begs the question faithful, which begs but
Human, does not answer.

© 2012 – Mark A. Douglas – All Rights Reserved

Journey Not, Destination


too
            blind in their eyeline
     the Leaf do
walk among us
     as do the Numb
            let and so such
          given invoice the source
            the river flows away
from

© 2012 – Mark A. Douglas – All Rights Reserved

4/6/12

The Physical Well Being of Mummies


Topography teaches us,
As abrasions are learned,
That contusions are blood
Trying to find the sum of the parts.

So we still read dirt.

Why did we think our trees,
Our grasses would sink our last
Ambitions?  A burn becomes the sky
To the soil of water, wind at loss

At loss still in the loam.
You can walk at night, never run,
The lights that do not follow you
Do not follow what you

Do not think you
Do not know.

© 2012 – Mark A. Douglas – All Rights Reserved

She


Had the gravity of a falling piano
but not the kind that will hurt you
standing with stars frolicking geometrically about
your head and ivory keys where teeth used to be
are used to being quarter notes slightly off key
where your eyes used to be where you asked
to see it again again thinking it can
happen it can’t happen you can try you do not
try the kind of ice cream you like you choose
the kind handed to you by her the kind
that taste less a slurp of creamy coolness
more the sharps and flats left behind the white
maybe they are right behind not left or used
or kind or in love or what are you looking
at anyway you just can’t look away.

© 2012 – Mark A. Douglas – All Rights Reserved

Call It Silence When


Memory is dry.  Logic fails its own
Regret.  There is no sea; water is wet.
You can’t turn back now, where
Language faults the punctuation.
In place of answers, more questions.
But their shadow and accoutrement
Of mortared fossils, what then our air,
What is our ground but strands
In its strive.  What does time reach?
Gone beyond the point of bone or bloodied
Where ground is time, muddied,
The spine of water is ground
Or muddied or dying on its bone.
Tautologically, a river is memory
Flowing.

With its fruit.  Water is memory
How like a root is the tree
These rocks, this syntax, that leaf,
Is beyond me.  Alone,
Despite the warnings,
Expulsion as outcome is how
We were to foresee
Other impulses.
Of a sudden you want to explore
Before distraction sets in.  All
Pursue meaning a short distance
Is what I’m thinking.  You can only
Know no particular context
And rise.  And fail.
We need to redefine regret.

We need to redefine regret.
And rise. And fall.

No particular context but you know
what I’m thinking.  You can only

pursue meaning a short distance
before distraction sets in.  All

of a sudden you want to explore
other impulses.  But how we

were to foresee
expulsion as outcome

despite the warnings
is beyond me.  Alone,

these rocks, this syntax, that leaf,
how like a root is the tree

with its fruit.  Water is memory.
Tautologically, a river is memory flowing,

or muddied, or drying on its bone.
The spine of water is ground,

where ground is time, muddied,
gone beyond the point of bone or bloodied

in its strive.  What does time reach?
What is our ground but strands

of mortared fossils, what then our air
but their shadow and accoutrement?

In place of answers, more questions,
how language fails the punctuation.

You can’t turn back now, where
there is no sea; water is wet.

Logic fails its own regret.
Memory is history.

© 2007 – Mark A. Douglas – All Rights Reserved

4/1/12

Ode to the Curve in the Road Before the Path Not Taken


So I dislocated my left nostril again last night in a sneezing fit of epic
not lyric not tragic proportions but even that didn’t help me
when it came to determining the subject of why I am here,
what the purpose of the purported hereness was going to be about,
was the issue one of Nietzschean madness or Kierkegaardian sadness,
how said hereness would interact with undetermined subject
when subjected to an erratic predicate and certainly
not to forget the transient verb tense agreement regarding which most everybody
in the clinic agreed to disagree upon hearing that the verb was
ablative in nature but the tense was slothful. 
What’s that famous quote by that famous dead white French guy
who wasn’t completely white, as it turns out, and probably wasn’t completely
French either, if the DNA is to be believed, but is most definitely dead?
As we are not speaking, so to speak, unless you interrupt me
in which case we are speaking and breaking the rules of narrative
and drama undoing eight centuries of tradition so let it be categorically stated
that I appreciate your courtesy in this matter and it’s rapidly becoming
(which should be enough – the process) apparent that if there is a quote
but a famous dead white French guy et cetera that would rescue
this section, I am barrenly unaware of where to find it.

Why this all of a sudden reminds me of an accident I
obtained as a child is behind me now, behind me like footprints
in mud I was warned to stay away from but couldn’t didn’t wouldn’t
should’ve as it turns out that sand is a better medium for footprint
erasure than dried hardened concrete-like mud.  But enough
about you and more about my accident.  Unless I am speaking to you,
as a part of my past, with a purpose beyond the simple nod and smile
elicited by so many blue responses.  Something as supposedly
elementary and prosaic as the addressee of the addressing address
should not cause such worry warp and woof, should not entitle
me to feelings of disenfranchisement and solitude and a certain
Jimmy Dean savoir faire bordering on taciturnity.  You’ll pardon me
I trust if I lean against this wall for the rest of our time together, my
left foot propped with the indeterminate goal of either holding up the wall
or working up a good case of taciturnity (which I will have to look up
as soon as we are through here).  I figure it comes down to this:  you
sit in the silo the rest of your life, hoping the sky also does not cave
in, or get back on the bike, determined this time to fly through the tree
should it be so bold again to suddenly appear where before no tree
existed.  I’ve edited myself enough:  be happy I love you so succinctly.

© 2007/12 – Mark A. Douglas – All Rights Reserved

How It Burned When


Your eyes were raspberries, seeds
and all, would’ve made good jelly,
something wet to spread
on his primordial bread.  Love
was not in their cutlery, if one can see
the obvious plop here of forks
as horizons.  Or spoons as frontiers,
the curve depending on how it is
grasped, leading one over the edge or
to the brink right before
you runneth over.  Her thighs,
for example, when they undulate
out of her shorts, constraints finally
lifted, they can radiate as deep and wide
as they choose in a wild spurt
of epidermal euphoria not unlike
what happens after a good rain
and the slugs are coming
out for the races, afraid a bit of the salt
but more, enamored of their own
slime.  Semen has a very high saline
content, which you already know,
don’t you, as you turn around to admire
where you’ve been, how far
you’ve come, where you’ll go.
In case she gets to the clouds,
where you’ll go, to the clouds like
her breasts, sagging and dropping to
the ground at the first sign of the tiniest
drop of iodine.  Or venom. 
Whichever hits first. 
She is our country, he is our people
but it bites both ways.  Makes little
difference to the drippy nipple
which thinks of his teeth as anathema,
as poison, every time he thinks
he’ll have a taste. 

© 2012 – Mark A. Douglas – All Rights Reserved

Homagaic Elegies


After Mathews, mentor,
            who never met me:  I, too,
like the smell of burning bridges
but only if I have set
the blaze.

After Ashbery, without a snowball
            in hell to refer to as dull:
it was exhausting placing
the coat on the shoulders
of the fairy,
wasn’t it?

After Young, after Mary’s response
            regarding traffic signals and M
possible biological positions,
no one holds hands
any more for
long.

Not dead?  What matter that
if rivers rise to blues on warm evenings
in springs that dream of autumns?
Buried is a state of mind

as is breath.  And its rhyme.

After Celan, sacred
            right? blood also flows
under the coagulation, under
the flame, the bridge carries
water home

rises to meet, joins to part,
this is the prank which water,
like words, breaks
the fill
in the blank.

© 2012 – Mark A. Douglas – All Rights Reserved