1/31/12

Slide Show


Your cajoling angles have tamed
my rolling demons, left them, uhm,
it may be a momentary thing.
What do you know? Same as me, 
not much.  But based on what?
the present combination of smile, hope and fear?
we’ll build a carnival tent, populate
it with bumper cars, and maybe we
will have enough juice to collide.

Don’t think I don’t know a cheap trick
when I use it.  Poetry as tool.

Shame, that, but still, if words are 
but a vehicle, I’ll let you drive.
In fact, let’s stretch the metaphor
and call ends and means the pedals
that make the vehicle go:
     word as means is go
     word as ends is brake,
and everything else is gear-shifting
without a clutch >> just grinding.
So we learn new intersections,
                             Where you bend, fold, mutilate -
                             insert tab a into slot be -
                             this is where I hold this longing – 

                             this but that's not the right word.
                             Longing cheats the bend of you,
                             at your break, this is the first name:
                             and this the second:  and have the third -

new routes to take, and plan our paths
around new sentences (analogy = roads),
around new letters (analogy =  signposts),
around new glyphs (analogy = the strokes
around your center it will take me to find
the middle.  No lollipop, you, but I will lick
until I can’t, if that’s okay? if I have to go
until I swallow you whole?)
The metaphor fell apart on me, and I had to shift
(hint:  wink, wink) to a more apropos simile.

I’ve got them all confused:  similes, metaphors or
analogy.
Voice of anxious, patient waiting.
Voice of hope that our carnival
doesn’t go the path of the midway, 
with the Disappearing Lady meeting the
Innuendoed Man, where all entendres
are meaningless.  

© 2012 – Mark A. Douglas – All Rights Reserved

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