Descended as a child, and when I did, was
Sprung from the leaf of the Word, writ
Large between the vellum covers,
The acrid ink as a piece of aluminum
Forged with yellow, the metaphor dropped
Into the swaddling fluids of the mother
Who would harbor magenta, sentence and ill
For her package until she met her final
Elliptical end, period, break. New
Paragraph. The comma imbued a sense
Of ceaselessness at a young age and, granted
The minor teals of metabolism and analogy,
I became a dashing tilde upon the fabric
Of the world’s table of contents.
Under the circumstances, my father
Was forced to perform heroic feats
To remain steadfastly altruistic and gray
As far as speed would allow.
In my opinion, subject was merely a hope.
In my opinion, then, object was obstacle
And fallen justice.
One only sings of simile in the face
Of protest. I denied the predicate
And took umbrage at false et ceteras.
The image of the ergo, its false
And embittered ochre of empathy,
Infuriated my lithesome, turquoise mind;
I embraced the power of the possessive.
Imperative tenses became the rule,
The scrimmed image behind the image,
The image that replaced the image
So I would not see the image,
And I took bicycle to heart and path,
Seeking the source of the final
Annotation. Trying to be as one
With the index, I soured
On encyclopedias and sought true
Aqua and maroon in the flesh
And stone of such temporalities
As time, ground, Tupperware.
I cited a fragrant miasma of wheat
And intestine in my path
To the codex, but found
Acceleration harder to achieve
Than light. The roman a clef
Gnawed at my adolescent
Identification and I climbed the blue
Acknowledgement of Speak, Misspeak,
Erase. How origin failed me
In my analogies, how the winsome
Strains of punctuation let me down
Repeatedly in my beginnings. Dropped
Now here as an umlaut, splashed now there
As a seemingly errant apostrophe,
I ventured verse
And run-on sentence to get around
To stanza. The corpus tempus
Found my paragraph, termed it edible,
And I was encrusted with the jewels
Of contrasting ethics.
Rhetoric mentions a slimy haven
In its annals where all good or indifferent
Poetics may go to expire.
I attempted quietude in my passing,
An effort to tell the parchment that my end
Pages had not been fully met
In their cobalt sense of wonderment.
Great scorn befalls the unsharpened pencil,
The un-inked quill, and I furiously
Engaged the quatrain to equal
Meter where not Tone. Where not Tone
With no Character, with no Character
Where no Plot, no Plot
To give no Settings, give no Settings
To no conclusion.
To not conclude
Becomes the vermilion verse,
The last seek of embeddings.
I stand, now awkward, now tin, now
Lime, at haunt to the author’s note, and a
Pasty blurb regarding statement and intent.
© 2012 – Mark A. Douglas – All Rights Reserved
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