This isn’t that
clever, you know.
A self-help essay in the form
of poetry to and for the self,
a stab at a self-deprecate
that wants to negate the stab
while winking about the stab
with a grin aimed to generate
the stab.
Remember when irony was dead,
then reinvented, then
stronger than ever?
It’s dead, again, thanks to this
exact type of tripe.
The reader may delight
in the poet’s lack of regard
for the insight of an essayist,
flat on his back, the beach,
the freezing sand,
just as the reader will attest
to the essayist’s lack
of poetic skills regarding the balance
of language and time,
not to mention rain from a low sky,
the tide way out.
Poetry does not examine the head;
poetry, not meaning anything
after all, does not dig beneath a shimmering
spleen of surface, will not eat
mold; answers aren’t
to be found on the nail
the hammer tries to drive
against the grain, the nail of symmetry
when not altruism when not
aphorism when not metaphor soiling
the coat of unsolicited sympathy. Not
this new path you perambulate about so,
to differentiate from some old
archive of a self you keep trying
to escape.
Your old self
walks beside you, still,
that ringing between your ears
the hearing aids won’t correct,
not some looped drive
created by loud DNA;
it’s the knife you never mention,
it’s you howling at age, inventing
language because you have
no language for how you are, this
language sounding like so much
unbearably high-pitched tire
on a taut ecstatic asphalt, going down
So it goes,
M---
© 2012 – Mark A. Douglas
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